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When you book time at Flatland Recording Studio you can do whatever you want with that time. This section is designed to help you get the most out of your recording session. These are merely suggestions.

General

  1. Expect to work hard. If you have recorded before, you already know how much hard work is involved. Recording is very rewarding and fun, but is also an incredible amount of work.
  2. Know which songs you want to record (and preferably the order you want to record them in as well).
  3. Bring a list of the names of the songs you intend to record.
  4. Have the arrangement of each song figured out. Know what instruments will play & what they will play. (Keep in mind, too that many instruments at once will quickly clutter a mix. The cliché of "less is more" and "more is less" is very true in music. Listen carefully to your favorite recordings and take note of how uncluttered their arrangements are.)
  5. Rehearse for the session. Know your parts cold. Studio time is expensive, but rehearsal time is not.
  6. Do not forget that it takes time to set up for a recording session. Recording your songs will take a lot longer than it takes you to play them in your jam pad. Prepare yourself to wait while microphones are set up and levels are optimized. Call us for a time estimate.
  7. Dress in comfortable and quiet clothes. Clothes that make noise every time you move can lead to a very frustrating experience when in front of a sensitive microphone.
  8. Show up on time - make sure you get every minute you pay for.
  9. Show up well rested. Celebrate after your album is done.
  10. Practice with a click track (metronome). Sometimes you will have to use a click track in recording and if you have never practiced with one, there could be difficulties. Click tracks can help keep a steady beat, but can also be essential in recording some songs.
  11. You might want to bring your friends to watch you record; it's a bad idea. You're paying for this time and it should be considered work. In our experience, friends tend to be distracting to the band as well as the engineer.
  12. We suggest you bring a camera or a camcorder to document your recording session. It’s a great way document the process and you can watch it with your friends later. Video diaries are also a great and easy addition to your finished cd.

Drummers

  1. Get hold of a quality kit and make sure it has new heads and snares on it! If you have a bad kit or worn heads the best we can do is achieve a great recording of a bad sound. In mix-down we can improve a poor drum sound, but the end result will never be as good as a good drum sound to start with.
  2. We prefer to mic the kick fairly close to the beater. If your kick has both front and back heads we will need to have access through the back drum head. If this is impossible we can work around the problem, but microphone technique may suffer.
  3. Know how to tune your drums or hire a professional to tune them.
  4. Make sure there are no squeaks or rattles coming from your set.
  5. If bringing your own drums sounds like too much trouble, just use ours.
  6. Bring extra sticks.

Guitarists

  1. Put on new strings and break them in.
  2. Make sure your guitar is set up perfectly for you (action, etc.) and all the electronics and pots are in good shape. If needed, bring your guitar to a service shop to have it professionally set up.
  3. Know your amp settings for each song you are recording.
  4. If you are planning on using effect boxes, save all presets so they can easily be recalled.
  5. Make sure all effect boxes you will be using are high quality and in good shape. A noisy effect box will result in a noisy recording.
  6. Bring extra strings and picks.

Keyboard Players

  1. Save all settings you will be using so you can recall them easily.
  2. Consider recording directly into the console.

Basses

  1. Make sure your strings are in good shape.
  2. Make sure your bass is set up perfectly for you (action etc.) and all the electronics and pots are in good shape. If needed, bring your bass into a service shop to have it professionally set up. Make sure the action is not causing excessive fret buzz.
  3. If you are planning on using effect boxes, save all presets so they can easily be recalled.
  4. Make sure all effect boxes you will be using are high quality and in good shape. A noisy effect box will result in a noisy recording.
  5. Consider recording directly into the console.

Vocalists

  1. Have lyric sheets unless you know the music extremely well.
  2. If you play an instrument while you sing, try to become able to play or sing independently. We will be able to get a better recording tracking the instrument and voice separately.

Horns / Other Instrumentalists

  1. If you are reading music, photocopy any sheets that may be tough page turns. Your microphone will pick up loud page turns.
  2. Bring accessories. Undoubtedly the producer will decide he wants the sound from the very mute or mouthpiece you didn't bring. If you have it, bring it.

5 Tips To Help Insure Your Success:

Recording studio time is expensive, and even if you're recording in a home studio, whoever's doing the work behind the computer is putting in valuable time. Making the most of the time you've got in the studio is really, really important.

Here's 5 tips to really keep in mind as you get ready to enter the studio, especially if you're a first-timer. Keep in mind, these all come from experience -- I've been there as a musician, and as an engineer, and everything I'm telling you comes from seeing it happen!

1. Have Your Songs Prepared.

This one goes without saying, but you'd be surprised. You and your band should be able to play through every song you plan on recording, and play through it well. Time spent working out arrangements in the studio is valuable time you can be using to add overdubs and other little things to make your songs shine!

Also, keep in mind this: if you're using any sequenced parts or electronic instruments, make sure you've got those parts arranged and pre-recorded before you enter the studio. The last thing the engineer has time to do is wait for you to remember how your electronic arrangement goes.

2. Hangovers Are Bad.

Sure, getting into the studio is a great time, and it's definitely cause for celebration, especially if it's your first album. But trust me on this one: lay off the alcohol, drugs, and late-night partying before getting into the studio. A lot of younger bands are more into the "scene" than they are making the actual record, and that's unfortunate. And remember, always respect studio house rules on booze. 

Come to the studio well-rested and ready to work. If you're a singer, rest your voice, drink plenty of water (including room-temperature water when you're in the studio -- ice is bad for vocal cords!).

3. Always Use New Strings & Heads.

Guitarists & bassists, listen up. Bring new strings to the session, and don't cheap out, either -- go with good quality strings. Your recording quality will suffer with old strings, and no, I don't care if that's the sound you're going for. You'll thank me later.

Drummers, bring new heads -- and make sure they're tuned right on your kit -- and new sticks. And for everybody? BRING SPARES! You don't want to be holding up the session because you needed to send your girlfriend out to Guitar Center for you.

4. Know Your Sound, But Be Realistic.

Make sure your producer/engineer understands what sound you want, but keep in mind, they can't exactly reproduce another album's recording conditions for you. Just because your favorite band's drum tracks sound a certain way doesn't mean yours can -- that is, unless you use the same drummer, same kit, same room, same mics, same everything.

Bring some examples of styles you'd like to see reflected in your work to your producer/engineer ahead of time, and let them explain to you how they can split the difference to help your project come out as close to what you want, and remember: individuality IS a good thing!

5. Know When To Quit.

Adrenaline runs high in a situation like a recording studio, especially when you're racing to beat the clock to save money. But knowing when to quit can be really helpful, too.

The longer you push your ears, and longer you physically continue to perform, you'll get tired and thus your performance will suffer. It's better to know when to walk away for the day, and come back the next day refreshed and ready to go. It's not failure, it's making the best of your time. Your producer and engineer are susceptible to fatigue, too; keep them in mind when trying to fit in a marathon recording session with your band.

Here's wishing you much success!